OMG, BUBLE
I cannot explain my thoughts about Michael Buble without prefacing with a little about my feelings about Harry Connick, Jr. Basically, I fell in love with Harry in 1989 at the age of 14. I first saw him in concert in the fall of 1990, and I still have my t-shirt from that show. The back was eaten through with holes by silverfish, and I still wear it sometimes to sleep. It is soft and thin and has his face on the front and the tour cities on the back. I bought every album he ever made until a few years ago, and I saw him in concert after that first time more times than I can honestly count. I saw him perform in big venues, small venues, and the Angola prison yard. I have loved him for approximately the past two decades of my life. It was Harry who taught me the great standards sung in past generations by Frank Sinatra, Nat King Cole, and so forth and inspired me to buy those albums, too. Basically, it was Harry who made me fell in love with the idea of someone crooning in front of a big band, and it's Harry who has always represented that kind of music for me.
So a few years ago, I guess 2004 or so? I went home with my friend K. to her parents' house in Lakeview for a party. Her mom was watching a DVD of some dude named Michael Buble and going on and on about how awesome he was. I was like, who is this Buble and who does he think he is? Harry Connick, Jr. hadn't been making his big band albums for a long time, of course, but in my mind, he was the modern embodiment of this music and no one else needed to bother to come along and do the same kind of thing. That was my first knowledge of Buble. A few years later, after K.'s parents lost their house and their business in Lakeview, along with her brother and his family, something inspired K. to make me copies of Buble's first two albums for me. She'd already seen him in concert a few times by then and basically insisted. I don't really remember what made me have a change of heart, but I've basically worn out those albums by now, and she gave me his most recent one for Christmas. When she invited me to come to his show last night with her and her mom and some of their old Lakeview neighbors who also lost everything, I said sure.
And I'm so glad I did. I owe my pal K. big for the invitation. We went out to dinner across the street from their old neighbor's new Warehouse District loft, which is completely awesome, but not awesome enough to keep her from wanting to rebuild in Lakeview as soon as possible. She is 74 years old. Much of the dinner conversation was peppered with talk about their neighborhood, their neighbors, things that were lost in the storm (the Buble DVD, for one), their new lives.
Highlights of the Buble concert:
We were at a vantage point where we were able to see him sneak into a floor seat, largely undetected, in a t-shirt, jeans, and baseball cap, to watch the opening band, Naturally 7. Everyone seemed very oblivious to this, but K. has Buble Radar, apparently. Three young teenaged girls noticed him eventually, as they were sitting right behind him, and did not hesitate to grab him around the neck and hug him with all their might. The silver-haired gentleman next to him eventually noticed, too, and shook his hand, but it was all very discreet. Three very hot girls in front of him noticed and took pictures of him with their camera phones. No one else really noticed, but that was enough for him and he went back to sit on a stool on the floor below the side of the stage, ducking as far out of sight as possible.
Early after exploding onto the stage for his first song, "I'm Your Man," he greeted the audience and gushed about his love for the Mother's po-boys he'd had earlier that day and welcomed his waitresses, whom he'd invited and who screamed and waved from their floor seats.
He interacted with the audience time after time, holding the microphone down for the crowd to sing along. I honestly don't know that I've ever been to a concert when the performer bent so far over backwards to include the crowd.
He seemed genuinely amazed that the last time he played in New Orleans, a month before Katrina, there were 1,100 people there, and now there were nearly 10,000. It's not that surprising to me considering he's about 10 times more famous now than he was then, but he seemed blown away that this had happened in New Orleans. He dedicated "Home" to the audience and the people of New Orleans, and immediately thousands of women reached for Kleenex in their purses. A few lines into the song, an image of an old Bourbon Street sign faded up on the giant video screens, and people clapped and cheered. The video reel of New Orleans images continued as he sang and people wept and embraced, and a shot of two big LSU flags hanging from a French Quarter balcony rail appeared, and the Arena full of very emotional people went completely bananas. It was somewhat awesome.
I already knew that Buble could clearly sing and had a great voice, but I had no idea that he is such a showman. If he does not have the absolute time of his life performing on stage, then he is the best faker I've ever seen. He oozed charisma and enthusiasm from every molecule in his body, from the tips of every hair on his head to the tips of his toes. It was a polished show, sure, as anything on a tour of this magnitude is, but it was never slick. You can't fake that kind of sincerity and joy and spontaneity onstage. At least that's what I choose to believe.
At one point during the show, he stopped and pointed to the three young teenaged girls we'd seen him being embraced by during the opening act. The camera man pointed at them, so their dumbsquizzled and ecstatic faces appeared on the screens. He had them shout out their names and ages and welcomed them and said, "Without young little cutie-pies like you keeping me straight, I'd turn into Amy Winehouse so fast ..." Then he ran down to take pictures with them, and he grabbed the silver-haired guy he'd sat next to during the opening act and gave him a huge kiss on the cheek.
He explained that he would secretly listen to the old big band artists on his walkman at school and not let anyone know because it wasn't cool. Then one day he saw a hot girl open her locker, which had a pin-up picture of Harry Connick, Jr. in it. He thought to himself, "I'm on the right track after all." It was nice of him, I thought, to give a little shout-out to Harry while playing in his hometown.
There were several encores; I lost count. Everyone was on their feet by the time "Save the Dance for Me" came along, which made me very happy. He finished by standing on the edge of the stage and singing with no musical accompaniment -- and no microphone -- "A Song for You." Everyone in the audience was silent and still, and he just sang it out so loudly and beautifully that I couldn't even believe how great it sounded considering that the Arena is not exactly Carnegie Hall.
I paid a lot for my ticket, but if I'd paid double that, it still would have been worth it because Buble gives you that much bang for your buck. I'm still in a state of stunned euphoria over the whole thing. I had to take the day off from work to recover, which I've spent so far grocery shopping, having lunch and shopping with my mom, and trimming more of my giant mutant shrubs.
I don't know what else to say. I don't even care what kind of a dog Buble might be in real life. His show was phenomenal. If you have the chance, you really just need to see for yourself.
So a few years ago, I guess 2004 or so? I went home with my friend K. to her parents' house in Lakeview for a party. Her mom was watching a DVD of some dude named Michael Buble and going on and on about how awesome he was. I was like, who is this Buble and who does he think he is? Harry Connick, Jr. hadn't been making his big band albums for a long time, of course, but in my mind, he was the modern embodiment of this music and no one else needed to bother to come along and do the same kind of thing. That was my first knowledge of Buble. A few years later, after K.'s parents lost their house and their business in Lakeview, along with her brother and his family, something inspired K. to make me copies of Buble's first two albums for me. She'd already seen him in concert a few times by then and basically insisted. I don't really remember what made me have a change of heart, but I've basically worn out those albums by now, and she gave me his most recent one for Christmas. When she invited me to come to his show last night with her and her mom and some of their old Lakeview neighbors who also lost everything, I said sure.
And I'm so glad I did. I owe my pal K. big for the invitation. We went out to dinner across the street from their old neighbor's new Warehouse District loft, which is completely awesome, but not awesome enough to keep her from wanting to rebuild in Lakeview as soon as possible. She is 74 years old. Much of the dinner conversation was peppered with talk about their neighborhood, their neighbors, things that were lost in the storm (the Buble DVD, for one), their new lives.
Highlights of the Buble concert:
We were at a vantage point where we were able to see him sneak into a floor seat, largely undetected, in a t-shirt, jeans, and baseball cap, to watch the opening band, Naturally 7. Everyone seemed very oblivious to this, but K. has Buble Radar, apparently. Three young teenaged girls noticed him eventually, as they were sitting right behind him, and did not hesitate to grab him around the neck and hug him with all their might. The silver-haired gentleman next to him eventually noticed, too, and shook his hand, but it was all very discreet. Three very hot girls in front of him noticed and took pictures of him with their camera phones. No one else really noticed, but that was enough for him and he went back to sit on a stool on the floor below the side of the stage, ducking as far out of sight as possible.
Early after exploding onto the stage for his first song, "I'm Your Man," he greeted the audience and gushed about his love for the Mother's po-boys he'd had earlier that day and welcomed his waitresses, whom he'd invited and who screamed and waved from their floor seats.
He interacted with the audience time after time, holding the microphone down for the crowd to sing along. I honestly don't know that I've ever been to a concert when the performer bent so far over backwards to include the crowd.
He seemed genuinely amazed that the last time he played in New Orleans, a month before Katrina, there were 1,100 people there, and now there were nearly 10,000. It's not that surprising to me considering he's about 10 times more famous now than he was then, but he seemed blown away that this had happened in New Orleans. He dedicated "Home" to the audience and the people of New Orleans, and immediately thousands of women reached for Kleenex in their purses. A few lines into the song, an image of an old Bourbon Street sign faded up on the giant video screens, and people clapped and cheered. The video reel of New Orleans images continued as he sang and people wept and embraced, and a shot of two big LSU flags hanging from a French Quarter balcony rail appeared, and the Arena full of very emotional people went completely bananas. It was somewhat awesome.
I already knew that Buble could clearly sing and had a great voice, but I had no idea that he is such a showman. If he does not have the absolute time of his life performing on stage, then he is the best faker I've ever seen. He oozed charisma and enthusiasm from every molecule in his body, from the tips of every hair on his head to the tips of his toes. It was a polished show, sure, as anything on a tour of this magnitude is, but it was never slick. You can't fake that kind of sincerity and joy and spontaneity onstage. At least that's what I choose to believe.
At one point during the show, he stopped and pointed to the three young teenaged girls we'd seen him being embraced by during the opening act. The camera man pointed at them, so their dumbsquizzled and ecstatic faces appeared on the screens. He had them shout out their names and ages and welcomed them and said, "Without young little cutie-pies like you keeping me straight, I'd turn into Amy Winehouse so fast ..." Then he ran down to take pictures with them, and he grabbed the silver-haired guy he'd sat next to during the opening act and gave him a huge kiss on the cheek.
He explained that he would secretly listen to the old big band artists on his walkman at school and not let anyone know because it wasn't cool. Then one day he saw a hot girl open her locker, which had a pin-up picture of Harry Connick, Jr. in it. He thought to himself, "I'm on the right track after all." It was nice of him, I thought, to give a little shout-out to Harry while playing in his hometown.
There were several encores; I lost count. Everyone was on their feet by the time "Save the Dance for Me" came along, which made me very happy. He finished by standing on the edge of the stage and singing with no musical accompaniment -- and no microphone -- "A Song for You." Everyone in the audience was silent and still, and he just sang it out so loudly and beautifully that I couldn't even believe how great it sounded considering that the Arena is not exactly Carnegie Hall.
I paid a lot for my ticket, but if I'd paid double that, it still would have been worth it because Buble gives you that much bang for your buck. I'm still in a state of stunned euphoria over the whole thing. I had to take the day off from work to recover, which I've spent so far grocery shopping, having lunch and shopping with my mom, and trimming more of my giant mutant shrubs.
I don't know what else to say. I don't even care what kind of a dog Buble might be in real life. His show was phenomenal. If you have the chance, you really just need to see for yourself.







