Like a restless wind inside a letter box
I'm supposed to be working on a power point presentation but all I really want to do is think about Across the Universe.
I didn't know much about this movie going into it except that it stars Evan Rachel Wood (brilliant on Once and Again; recently frightening me in her bloody rain sex videos with Marilyn Manson) and was directed by Julie Taymor (whose movies I've never seen but whose creation of The Lion King on Broadway earned her my eternal respect and admiration). I knew there was some kind of snafu behind the scenes between Taymor and the studio on who should have final cut and that the studio did not care for Taymor's version, which is the one that was ultimately released. That's all I really knew.
I know enough about Taymor's artistic sensibilities and had seen enough trailer footage to know that this movie would be pretty out there at times. And it totally is. There are parts that felt clunky and out of place (Detroit) and parts that were so bizarre that I almost started laughing, but that doesn't change the fact that I was filled with a kind of euphoric joy every time the actors opened their mouths and started singing. I've never owned a Beatles album unless you count the soundtrack to I Am Sam, which is covers, so it really doesn't count. I know the number of Beatles songs that the average person knows, I guess. There were lots of songs in this movie that I'd never heard before and lots of Beatles references I only understood when B. explained them to me later. So I can't really speak as a Beatles expert. But I loved the music in this movie, every last note of it. I think Evan Rachel Wood has a good voice even though sometimes she sounds like she has a cold; I think she is a better actor than singer. But the rest of the main characters? Particularly the guys who played Jude and Max? I loved their voices a lot. Especially that of Jim Sturgess, who plays Jude. It's extremely reminiscent of Ewan McGregor's, which is one hundred percent alright with me. It struck me in the opening scene, the similarity of their voices, maybe because the opening scene reminded me a lot of "Nature Boy" in the beginning of Moulin Rouge. (You can see what I'm talking about here.) In fact, there were lots of things in this movie that reminded me of other movies. The entire "I've Just Seen a Face" number in the bowling alley, I'd like to think, was an homage to "Score Tonight" in Grease 2. (Okay, it probably was no such thing, but it still made me happy to think so.) This kid was so fantastic I still kind of can't believe it. They were all really, really good.
There are parts of this movie that are eyeroll-worthy and parts that just don't work. I could have done without the Eddie Izzard and Bono scenes, my affection for them notwithstanding. What made it work for me, ultimately, is mainly the dreaminess, charm, and totally game performances of the leads. No matter how crazy and bizarro the scene, they totally threw themselves into it and went for it. As a viewer, I appreciate that. It was too long and was really heavy-handed at times, but some of the artistic weirdness was totally cool and sort of brilliant, and some parts were just heartbreakingly effective. The "Hey Jude" scene, for example, really got to me. As did "All You Need Is Love."
Maybe what it boils down to is that I am rendered incapable of making any kind of critical analysis of a movie in which the characters burst into song. No matter how much I might not have liked some parts, the parts I liked, I loved, and they, along with the excellent soundtrack, are what I'll remember about this movie.
I didn't know much about this movie going into it except that it stars Evan Rachel Wood (brilliant on Once and Again; recently frightening me in her bloody rain sex videos with Marilyn Manson) and was directed by Julie Taymor (whose movies I've never seen but whose creation of The Lion King on Broadway earned her my eternal respect and admiration). I knew there was some kind of snafu behind the scenes between Taymor and the studio on who should have final cut and that the studio did not care for Taymor's version, which is the one that was ultimately released. That's all I really knew.
I know enough about Taymor's artistic sensibilities and had seen enough trailer footage to know that this movie would be pretty out there at times. And it totally is. There are parts that felt clunky and out of place (Detroit) and parts that were so bizarre that I almost started laughing, but that doesn't change the fact that I was filled with a kind of euphoric joy every time the actors opened their mouths and started singing. I've never owned a Beatles album unless you count the soundtrack to I Am Sam, which is covers, so it really doesn't count. I know the number of Beatles songs that the average person knows, I guess. There were lots of songs in this movie that I'd never heard before and lots of Beatles references I only understood when B. explained them to me later. So I can't really speak as a Beatles expert. But I loved the music in this movie, every last note of it. I think Evan Rachel Wood has a good voice even though sometimes she sounds like she has a cold; I think she is a better actor than singer. But the rest of the main characters? Particularly the guys who played Jude and Max? I loved their voices a lot. Especially that of Jim Sturgess, who plays Jude. It's extremely reminiscent of Ewan McGregor's, which is one hundred percent alright with me. It struck me in the opening scene, the similarity of their voices, maybe because the opening scene reminded me a lot of "Nature Boy" in the beginning of Moulin Rouge. (You can see what I'm talking about here.) In fact, there were lots of things in this movie that reminded me of other movies. The entire "I've Just Seen a Face" number in the bowling alley, I'd like to think, was an homage to "Score Tonight" in Grease 2. (Okay, it probably was no such thing, but it still made me happy to think so.) This kid was so fantastic I still kind of can't believe it. They were all really, really good.
There are parts of this movie that are eyeroll-worthy and parts that just don't work. I could have done without the Eddie Izzard and Bono scenes, my affection for them notwithstanding. What made it work for me, ultimately, is mainly the dreaminess, charm, and totally game performances of the leads. No matter how crazy and bizarro the scene, they totally threw themselves into it and went for it. As a viewer, I appreciate that. It was too long and was really heavy-handed at times, but some of the artistic weirdness was totally cool and sort of brilliant, and some parts were just heartbreakingly effective. The "Hey Jude" scene, for example, really got to me. As did "All You Need Is Love."
Maybe what it boils down to is that I am rendered incapable of making any kind of critical analysis of a movie in which the characters burst into song. No matter how much I might not have liked some parts, the parts I liked, I loved, and they, along with the excellent soundtrack, are what I'll remember about this movie.









