Okay. It's now getting to be a little unhealthy how much time I'm spending looking up things on YouTube. Here are a few Tony Awards highlights for your viewing pleasure.
Evita. 1980. This clip starts with Mandy Patinkin receiving his Tony and then features a long musical performance from the show. I never realized that Juan Peron was played by the evil warden from
The Shawshank Redemption. Say what you will about Patty LuPone, but she is so good here. And Patinkin is mind-blowing. I love him.
Aspects of Love. 1990. I don't remember seeing this on the Tony Awards, but I sure listened to this soundtrack enough in high school. Michael Ball definitely has pipes but it's almost like a parody when he hits his high note at the end of this. (I wrote a little about how I feel about this show at the beginning of
this entry.)
The Secret Garden. 1991. Daisy Egan's singing the beginning of the song after which I named this journal. And that's a very, very young and innocent-looking John Cameron Mitchell (Hedwig) as Dickon. And just ... overall beauty and splendor. I think I will always be sad that I never saw this on Broadway. I saw a university production, but it wasn't the same.
Rent. 1996. I watched the Tony Awards that year the night before I left for my summer working at Disney World. I remember I was sitting on the floor at my parents' house right next to the TV with my eyes as wide as they would go and I fell so madly in love that I became obsessed with seeing the show. After a failed attempt that summer on an insane weekend trip from Orlando to New York when I stood crushed and weeping on the sidewalk of the Nederlander with my suitcase in my hand, I finally saw it the following spring. This is the broadcast that started my love affair with this show, and I will never forget it.
You're a Good Man, Charlie Brown. 1999. This is Kristen Chenoweth in her Tony Award-winning performance as Sally Brown. It's evident watching this performance why she won. She is so good and funny that it is ridiculous. Even now when I listen to the soundtrack, hearing how clearly and sweetly her voice sings the line "Happiness is playing the drum in your own school band," gives me little chills of glee.
Urinetown. 2002. This was my first exposure to the song "Run Freedom Run." I promptly downloaded it, and it's been a staple in my life ever since. I put it on my running playlist all the time, and it's just a fabulous song. Hunter Foster is great in this performance. That is one talented family. It was great to
see him earlier this year in
The Producers. I wish I would have seen this show at some point.
Hugh Jackman's opening. 2004. I have
written before of my profound adoration for this opening number. It still sits on my TiVo, and I don't think I'll ever be able to delete it. I never thought to seek it out online before. But here it is. Behold Hugh in all of his high-kicking bliss. There is so much joy and exuberance in this performance that I almost cannot bear it.
Avenue Q. 2004. This was the first time I heard anything about this show. This was another one of those performances that I watched over and over and that led me to
see the show eventually. When Kate Monster turned to the audience and says, "Fuck! It's sucks to be me," and the "fuck" was obviously bleeped for network primetime, I remember my mouth dropping open a little bit and thinking immediately that I had to see this show. I still love it very much. I will never forget driving to the airport with
Melissa and
Elizabeth after
that weekend when we ate and drank our way out of election misery, listening to this soundtrack and singing along with the words.
Jersey Boys. 2006. It was this performance that kept me from deleting this year's Tony Awards show from my TiVo until last week when I finally needed the space for the new fall season of shows. I've watched this more times than I can count. I bought this song from iTunes, and it, too, pops up regularly on my running playing list. I really, really want to see this show.
And now for a few clips that aren't from the Tony Awards but are still exciting to watch.
Miss Saigon. This is a clip of Lea Salonga either auditioning or rehearsing for the role of Kim. She looks like a little girl. I'd really like to know how old she was in this clip. Her voice is amazing. Just pure, pure, pure talent. This song, truly, is beautiful. It's somewhat ruined on the CD, I think, because I don't like Chris' voice very much. But at its core, it's so simple and beautiful. I mean, "How in the light of one night have we come so far?" Gorgeous. I saw this on a school choir trip in New York my junior year of high school. Several of us got food poisoning on the flight home and stayed home from school the next day. I felt better by the afternon and insisted upon driving out to some record store near the mall to buy the soundtrack. It came on two cassette tapes and I lay on my floor all evening and listened to it. Good times. I love how the guys listening to her look sort of stoic throughout but break into smiles of relief and "whoa"-ness (but look like they don't want to seem too excited when duh, they have to be) when she's done. Whoa indeed. The documentary about the making of this show
comes out on DVD later this month.
Sunday in the Park with George. 2002. This is Raul Esparza singing "Finishing the Hat" at the Kennedy Center. And
here is Esparza and Melissa Errico singing "We Do Not Belong Together." Which might be one of the best showtunes of all time.
The Last Five Years. 2002. Melissa pointed me to this. It's Sherie Rene Scott and the brilliant, awesome Norbert Leo Butz performing the closing songs of this incredible, heartbreaking show. This one takes a while to load for me, but it's worth it to get all the way through it. I remain conflicted as to how I feel about his character. On the one hand I hate him because he cheats on his wife, but on the other hand, it's Norbert Leo Butz so I can't fully hate him. I deeply and intensely wish I'd seen them in these roles. The moment that gets me the most in this (at about 3:40 into the clip) is when he sings:
You never saw how far the crack had opened
You never knew I had run out of rope
And I could never rescue you
All you ever wanted
But I could never rescue you
No matter how I tried
All I could do was love you hard
And let you go
Now that right there is just beautiful. I need to get to the theater soon, clearly. Metamorphoses will be here soon, thank God.